Rick Ross, low key, might have invented “yacht rap.” The Miami-bred boss specializes in cigar-to-the-sky manifestos that make the most ruthless coke deals seem like a company cruise. A grizzled behemoth prone to surrealist flights of fancy (and some motivational, meat-and-potatoes grind talk), Ross epitomizes extravagance, largesse, and team goals. …
Read More »Brandi Carlile Refines Her Strengths on Seventies Rock-Inspired 'In These Silent Days'
It’s been a charmed few years for Brandi Carlile since she released 2018’s By the Way, I Forgive You. The Washington State singer-songwriter co-founded the groundbreaking country collective the Highwomen, covered Joni Mitchell’s Blue at a triumphant concert event, produced Grammy-winning work for Tanya Tucker, and wrote a memoir. Carlile …
Read More »The Killers Offer a Widescreen Chronicle of Small Town Life on 'Pressure Machine'
There have always been two sides to the Killers (a little like the way the Cure alternated between sugary pop and cathedral-sized goth-rock). There’s the slick New Wavey act that broke big with the legendary “Mr. Brightside” and released last year’s “Imploding the Mirage.” Then there’s singer Brandon Flowers’ Springsteen-style …
Read More »Jack Antonoff Makes His Most Cohesive Album Yet With Bleachers' 'Take the Sadness Out of Saturday Night'
Jack Antonoff has achieved a rarified ubiquity for a songwriter-producer. You can measure his prominence in Grammy Awards (five) and, to a certain extent, critics lists and charts, though for someone technically working behind the scenes, the best proof might just be the memes. Like this scrappy photoshop job of …
Read More »Morgan Wallen Is a Versatile Nashville Cliche Machine on 'Dangerous: The Double Album'
Morgan Wallen’s debut single, 2016’s “The Way I Talk” was a fitting introduction to the former Voice contestant from East Tennessee. Like countless country singers before him, Wallen employed his small-town drawl, which feels so resonantly country that it can seem like the product of a Music Row laboratory, as …
Read More »Major Lazer's 'Music is the Weapon' is Stale Global-Minded Pop
With all the Covid-induced travel restrictions, it is fitting that Diplo resigned himself to a bit of domestic tourism; earlier this year, he stormed Nashville with the release of his country album Diplo Presents Thomas Wesley, Chapter 1: Snake Oil, his bid to recast himself as a Red Dead Redemption …
Read More »Matt Berninger Is a Master of Gloomy Beauty on 'Serpentine Prison'
“I’m near the bottom/Name the blues, I’ve got ‘em,” the National frontman Matt Berninger sings on the delicately despondent “Oh, Dearie,” from his debut solo LP. It’s a song about being completely asphyxiated by fear and doubt — certainly a message for our times. But don’t call the crisis hotline …
Read More »Fontaines D.C. Balance Heavy Brooding, Fleeting Positivity on Second Album, 'A Hero's Death'
Fontaines D.C., a rare punkish art-rock group that cites James Joyce and The Godfather as equal inspirations, sprung out of Ireland last year with a smart, upbeat set of songs on their debut, Dogrel. Frontman Grian Chatten’s stentorian raving (and his Irish accent) sliced right through the group’s jitterbugging power …
Read More »Rufus Wainwright Gets Lost in His Own World on 'Unfollow the Rules'
Rufus Wainwright has always existed in a world unto himself, the sort of place where Cole Porter, Andrew Lloyd-Webber, and Ian Anderson could all share a sherry and muse on love and literature. It’s an acquired taste for sure, but somehow, he’s always been able to pull off sounding blithe …
Read More »Run the Jewels Bring the Noise Right on Time With 'RTJ4'
History is a fickle motherfucker, but you gotta hand it to whatever forces have aligned to drop a new Run the Jewels record in this particular moment. By the fourth installment, most pop culture franchises can start to seem pretty tired. Not El-P and Killer Mike: On RTJ4, the duo …
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